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I have been working on the demo project image to the
right--a table project--total time invested is about 10 hours--two
SolidWorks assemblies, nine parts. For a designer, furniture
is kind of a `subject of intellectual purity' that demonstrates how the
designer thinks about design by forcing complexity and simplicity of
style to be crammed into a genre of a utilitarian fine art medium.
Here is a preliminary
pic of what I am working on--the subject, small conference
tables, are designed as objects of group interaction for
four people. My nature as an industrial designer is to focus on the user
and not on the product. The user is the real target to satisfy,
while the product is the object of focus, but secondary to the needs
of the user. The reason for this is that if the user is not
satisfied or served, then the product has no value or meaning.
Design is about the customer and not the designer.
The first table is a an asymmetric design
(on the left of the first image) even though it looks formal and symmetric, the asymmetry
refers to the fact that the design forces 4 people to sit not at the
head or sides of the table, thus the design forces a unique kind of
informal communication--excellent for enhancing creativity,
communication and sharing of ideas.
The second design is a dynamic design because
it connotes to the users a sense of dynamic activity with the
traditional seating arrangement of head and side; basically a power
resolution form, establishing a dominant/subordinate seating
arrangement for the users while also providing a sense of dynamic
activity, with the legs splayed in a way to give the sense of motion,
rapid problem resolution and flexible but tiered social interaction.
The color inside the legs is a muted yellow facing out to establish
a subtle kind of indirect positive mood while providing sanction to
the raw extruded form. The inside of the legs polished
aluminum to enforce a high degree of utilitarian smoothness, eliminating
any sharp edges for those sitting at the table: Both tables
utilize a heavy purple stained top to give the users a sense of open
space and freedom to expand creativity. The tops also create a
center of gravity with the elliptical slice out of the center to act as
foci for keeping activity in motion but concentric to the table.
From a construction
standpoint, the designs use a welded steel or bolted aluminum x frame
with aluminum legs, both sets of legs are extrusions while the dynamic
design has some post finishing operations on the legs involving
laser cutting of edges, filleting of the edges, polishing the outside
and painting to a high gloss the inside. The cherry wood tops are
stained a subtle purple as a unique complement to the yellow and silver
legs, or red base platform and legs. The top is laminated and CNC
machined to create the dynamic centroid on the top and the pyramid shape
on the bottom--both providing an exquisite level of detail and finish
that enhances the harder features of the structural supports.
The designs should give you an
excellent appreciation of the level of detail I seek in establishing excellence
in design quality and
detail.
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Table designs you see here are
available in hand made, signed versions by special order.
Contact M. George Davis directly to inquire as to delivery and
cost.
Two Demonstration Table
Designs by M. George Davis:
Asymmetry and Dynamic Seating Arrangements. Assembly Models
created using SolidWorks, and rendered using PhotoWorks.
Estimated design time for full production level assembly for both
concepts: 10 hours.
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